At 12:56 a.m. a massive boom rocked my house, setting off every dog and car alarm in the neighborhood. After a few eternal moments, I remembered that a Space X rocket landing had been scheduled for the wee hours. Eventually, my pulse slowed.
It’s no wonder that window-shaking booms stop my heart. Eighty-five dead in Nice. Five officers gunned down in Dallas, another three in Baton Rouge. At least five injured in a knife and ax attack in Germany. In Turkey, 294 killed in a failed coup. A terrorist attack in Orlando: 49 killed, 53 injured, the horror that blooding the streets just a few miles away from my home. We’re talking just the last few weeks. Brussels. Paris. Who knows how many lives lost in the Middle East.
Every bang, pop, and crack make me jump. My nerves need a break. I hide from reality in books.
Maybe not this time…
Two minutes before the sonic boom, I’d ripped through the ending of THE BLACK WIDOW, the latest installment of Daniel Silva’s international thriller series featuring Israeli Master Spy Gabriel Allon. It’s a novel that pulls no punches regarding the brutality and ruthlessness of Islamic terrorists. It’s book about death and those who want to cause as much of it as possible. And in light of the world today, it didn’t read like fiction. It it felt all too real.
Now, THE BLACK WIDOW is an excellent novel. I’d give it a solid 4.5 stars, and only that low because it wasn’t my absolute favorite installment in the consistently strong Gabriel Allon series.
But honestly, this book kind of rocked me to the core.
I should have expected what was to come when I read the trigger warning. I raced to finish The Black Widow long past my bedtime, needing something more than the answers to who would live and who would die. (Answer: far too many people would die, far too close to home.) I needed to escape from my escapism. I wasn’t reading for pure enjoyment. The story and descriptions zoomed over the line between fictional constructs of an author’s imagination and the evil and ugliness that is exploding across the globe now. I needed closure.
Heads strewn on balconies. Crucifixions. Beheadings. Limbs tangled in tree branches raining blood. Viscera on walls. Calculating scrounges of humanity systematically shooting the wounded and dying.
We desperately block these images from our imaginations. But many once ordinary people in places as civilized as Paris – as Orlando – will forever be haunted by such gruesome memories seared upon their souls.
Is art reflecting reality, or is reality reflecting art?
I need a break. Next up: a romance novel that guarantees a few hours of blissful escapism and a happy ending. I don’t think we’re going to find one in reality any time soon.
Gabriel Allon, the art restorer, spy, and assassin described as the most compelling fictional creation “since Ian Fleming put down his martini and invented James Bond” (Rocky Mountain News), is poised to become the chief of Israel’s secret intelligence service. But on the eve of his promotion, events conspire to lure him into the field for one final operation. ISIS has detonated a massive bomb in the Marais district of Paris, and a desperate French government wants Gabriel to eliminate the man responsible before he can strike again.
Acclaimed novelist Daniel Silva has thrilled, entertained and educated readers with eighteen thoughtful and gripping spy novels featuring a diverse cast of compelling characters and ingenious plots that have taken them around the globe and back—from the United States to Europe, Russia to the Middle East. From its shocking opening to its explosive denouement in Washington, D.C., The Black Widow reveals itself as Silva’s most timely and powerful novel yet. Following the success of his smash hit The English Spy, this electrifying thriller showcases Silva’s consummate skill and brilliant imagination, and is sure to be a must read for his multitude of current and future fans.